2020. 2. 14. 22:11ㆍ카테고리 없음
Was widely considered one of the best martial arts movies of the post-aughts, combining a furious pace with the brutal Indonesian martial art style Pencak Silat. Hyperactive and hyper-violent, the movie had a soundtrack that perfectly matched. Composed and performed by (, ) and (, ), the score deftly upped the anxiety and fervor with a mix of hip-hop beats, lush atmospherics, and industrial edge, not unlike one of 's biggest influences (and also a fan of the movie), (, ).
Much like 's score work with for 's films (and his ambient project), and create tense soundscapes tinged with moments of high-octane energy. Some of the most impressively choreographed fight scenes in the film have equally amplified accompaniment: 'We Have Company' buzzes with industrial noise and heavy beats, 'Hole Drop' brings a leg-trembling dubstep drop that sounds like a Transformer blasting into battle, and brutal movie highlight 'Machete Standoff' throbs with martial drums, the beats hitting as each punch finds its mark. This combination of throbbing industrial grooves and dance breaks could have come from some distant dimension where was on the soundtrack. Toward the end - as the scenes from the movie grow bolder and crazier - the blood-roiling adrenaline rush and overwhelming dread are ramped up to a non-stop fight fest ('Drug Lab' and 'Putting a Mad Dog Down'). (, ) gets his 'RAZORS.OUT' on a blissfully industrial banger, and the trio contribute a blistering rap on 'SUICIDE MUSIC' that would fit finely on the albums. They're fun inclusions, a bit of a breather after a movie's worth of fight music. And crafted one of the better action-oriented soundtracks with.
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Fans of the film, or / should be very pleased with this gem.